Who is mondo posters

Collection Overview. Table of contents. Titles in the Alamo Drafthouse collection of Mondo posters span the years present. Acquired in , with further accruals.

Mondo is an offshoot of the Alamo Drafthouse Cinema , a chain of speciality movie theaters that cater primarily to film aficionados in places like Texas and New York. Mondo started to bring in more artists, produced more limited-run posters, and in relocated to a new gallery where it could show off the artwork in a more appropriate setting. This Friday, a new exhibit debuts, highlighting science fiction and fantasy work from popular Mondo artists Kevin Tong and Martin Ansin.

Today Mondo averages a new gallery show about once every six weeks, and the Academy of Motion Picture Arts and Sciences archives new Mondo posters for posterity. The styles range based on the artist, with Mondo posters consisting of everything from character portraits to surreal, abstract pieces.

It can get more complicated than that at times, and we all wear a lot of hats, but that's the general process. It's honestly about half and half at this point. We can create more than one. On some titles we have several artists we think would be a good fit. It varies. Sometimes when we first start working with an artist we ask them "Hey, give us the top 10 movies you would kill to do a poster for," and then match them up from there. Other times, we'll have an artist we want to work with in the wings for the perfect assignment.

When we added Brave to our list of posters for our Oscars series we spent some time going "hmmmm Of course. We like to match artists with movies that they are passionate about so it remains fun and doesn't feel like a job. We try to give the artist as much freedom as possible.

The use of white space in this picture showcases Gotham city, and also Batman, as being completely isolated from the rest of the world. The aftermath of the previous film's events are finally addressed in the narrative of The Dark Knight Rises , and the tone is mirrored in this poster. It is also interesting to note that the city of Gotham is, although small in respect to the overall picture, very detailed — especially in comparison to the silhouette of the Dark Knight. This suggests that the film will perhaps focus more on the city and its inhabitants, rather than the vigilante himself.

Ken Taylor's use of purple in the Mondo poster to this neo-noir arthouse picture can tell you a lot about this film's tone. Symbolically, purple takes on several different meanings in art, as well as in storytelling; the color often is used to represent feelings of frustration and even contemplation — both of which can arguably be found on this portrait of the Ryan Gosling character. To mirror these emotions, the twisted, winding streets in the background of this movie poster reflect feelings of confusion and suggest that everything in this film may not be as it first appears.

The splatters of color, and the choices of when, and when not to apply detail, give this piece a surreal, almost dreamlike sense that indicates a less straight forward narrative than one might have originally anticipated by simply watching a trailer.

Way before Mission: Impossible — Ghost Protocol, Ratatouille, The Incredibles and the insanely long wait before the The Incredibles 2 which is coming , by the way , there was this fan favorite, theatrical debut from a talented, young director by the name of Brad Bird.

Sure, we all know his name today, but in , this no name filmmaker swept moviegoers off their feet with this story of a young boy who befriends a gigantic robot from outer space. With a paranoid government afraid of the ramifications of allowing a large, weaponized machine to roam free on this planet, conflict, bred out of fear, soon ensues. There is a lot to marvel at in Kevin Tong's Mondo poster for the Brad Bird animated classic: the use of symmetry, the variations of the color red, and the fact that at the heart of this film, and at the center of this poster, is the relationship between a young Hogarth Hughes and this beloved, albeit massive robot.

Simba has arguably never looked more regal than he does in this variant poster, and perhaps no one can sum up the themes at play here better than Mufasa himself: "A king's time as ruler rises and falls like the sun.

One day, Simba, the sun will set on my time here, and will rise with you as the new king. The rise and fall of a kingdom, the dynamics of a family divided by power, and the classic tale of good versus evil are all featured in this one picture.

Without seeing even the film, it is obvious to any onlooker which characters are the villains, and which are the heroes — simply by viewing this one piece or art. Not to mention, the use of shadows on the face of Simba is a nice touch, symbolizing the inner turmoil that he encounters throughout this film. Steven Spielberg is arguably the best director of this generation and already has numerous classics under his belt. Despite his incredible longevity in Hollywood, and a legacy anyone would be proud to hang their hat on, the legendary filmmaker has several exciting titles on the horizon: The BFG , Ready Player One and, of course, the highly anticipated Indiana Jones 5.

Still, even with all of the hit movies to his credit, one of the most adored Spielberg films was released in , and it goes by the title E. Sure, we all know the iconic image of E. Instead of featuring Elliot, Gertie, or any of the other human characters from the movie, McCarthy instead chooses to show E.

In the previous six months alone, the moviegoing public has arguably been more Star Wars -obsessed than ever in the history of this beloved film series.